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	<title>WWW.CRITICALSECRET.NET &#8212; - - &#8212; </title>
	<link>http://www.criticalsecret.net/</link>
	<description>This is a blog / Ceci est un blog. Diachronic and random news as a view from www.criticalsecret.com. Des nouvelles al&#233;atoires et diachroniques vues par www.criticalsecret.com : FR Digital ISSN 1769-7077. Toute mati&#232;re &#233;ditoriale in&#233;dite / All editorial unpublished matter : &#169; Criticalsecret + author and translator CC . </description>
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<item xml:lang="fr">
		<title>Of_Isabel Carlier : Pr&#233;sentation | Presenting</title>
		<link>https://www.criticalsecret.net/of_isabel-carlier-presentation-presenting,168.html</link>
		<guid isPermaLink="true">https://www.criticalsecret.net/of_isabel-carlier-presentation-presenting,168.html</guid>
		<dc:date>2015-03-14T13:12:32Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Aliette Guibert Certhoux, Isabel Carlier</dc:creator>


		<dc:subject>Pac&#244;me Thiellement</dc:subject>
		<dc:subject>Contemporary and experimental Music / musique contemporaine et exp&#233;rimentale</dc:subject>
		<dc:subject>XXIe si&#232;cle - XXIst Century</dc:subject>
		<dc:subject>Robert Meeropol</dc:subject>
		<dc:subject>Arts Contemporains / Contemporary Arts</dc:subject>
		<dc:subject>Isabel Carlier</dc:subject>
		<dc:subject>Arts visuels / Visual Arts</dc:subject>
		<dc:subject>Boris Lehman</dc:subject>
		<dc:subject>Erik Bullot</dc:subject>
		<dc:subject>Bandits-Mages</dc:subject>
		<dc:subject>Nad&#232;ge Piton</dc:subject>
		<dc:subject>Pierre Schaeffer</dc:subject>
		<dc:subject>Jocelyne Tournet-Lammer</dc:subject>
		<dc:subject>Annie Sprinkle</dc:subject>
		<dc:subject>Elizabeth Stephens</dc:subject>
		<dc:subject>Paul Devautour</dc:subject>
		<dc:subject>Genre - Gender</dc:subject>
		<dc:subject>Ewen Chardonnet</dc:subject>
		<dc:subject>Emmetrop</dc:subject>
		<dc:subject>Labom&#233;dia</dc:subject>
		<dc:subject>La galerie du cartable</dc:subject>
		<dc:subject>David Legrand</dc:subject>

		<description>Isabelle Carlier is currently director of Bandits-Mages, an association engaged in essay films &amp; video art located at the Friche l'Antre-Peaux in Bourges, France. Professionally active as a technician and curator in these fields, she suggests and contributes to setting up experimental stage pieces nationally and internationally, as well as being engaged in researching and exchanging ideas on new forms of creation and autonomous (collective or individual) ways of life. Isabelle has been (...)

-
&lt;a href="https://www.criticalsecret.net/-of_isabel-carlier,055-.html" rel="directory"&gt;Of_Isabel Carlier&lt;/a&gt;

/ 
&lt;a href="https://www.criticalsecret.net/+-pacome-thiellement,192-+.html" rel="tag"&gt;Pac&#244;me Thiellement&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-musique-contemporaine,320-+.html" rel="tag"&gt;Contemporary and experimental Music / musique contemporaine et exp&#233;rimentale&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-xxie-siecle,443-+.html" rel="tag"&gt;XXIe si&#232;cle - XXIst Century&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-robert-meeropol,533-+.html" rel="tag"&gt;Robert Meeropol&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-arts-contemporains-contemporary-arts,655-+.html" rel="tag"&gt;Arts Contemporains / Contemporary Arts&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-isabel-carlier,995-+.html" rel="tag"&gt;Isabel Carlier&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-arts-visuels-visual-arts,1040-+.html" rel="tag"&gt;Arts visuels / Visual Arts&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-boris-lehman,1071-+.html" rel="tag"&gt;Boris Lehman&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-erik-bullot,1072-+.html" rel="tag"&gt;Erik Bullot&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-bandits-mages,1073-+.html" rel="tag"&gt;Bandits-Mages&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-nadege-piton,1095-+.html" rel="tag"&gt;Nad&#232;ge Piton&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-pierre-schaeffer,1096-+.html" rel="tag"&gt;Pierre Schaeffer&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-jocelyne-tournet-lammer,1097-+.html" rel="tag"&gt;Jocelyne Tournet-Lammer&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-annie-sprinkle,1098-+.html" rel="tag"&gt;Annie Sprinkle&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-elizabeth-stephens,1099-+.html" rel="tag"&gt;Elizabeth Stephens&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-paul-devautour,1100-+.html" rel="tag"&gt;Paul Devautour&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-genre-gender,1101-+.html" rel="tag"&gt;Genre - Gender&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-ewen-chardonnet,1102-+.html" rel="tag"&gt;Ewen Chardonnet&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-emmetrop,1104-+.html" rel="tag"&gt;Emmetrop&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-labomedia,1105-+.html" rel="tag"&gt;Labom&#233;dia&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-la-galerie-du-cartable,1106-+.html" rel="tag"&gt;La galerie du cartable&lt;/a&gt;, 
&lt;a href="https://www.criticalsecret.net/+-david-legrand,1107-+.html" rel="tag"&gt;David Legrand&lt;/a&gt;

		</description>


 <content:encoded>&lt;img class='spip_logos' alt=&quot;&quot; align=&quot;right&quot; src=&quot;https://www.criticalsecret.net/IMG/arton168.jpg&quot; width='150' height='150' style='height:150px;width:150px;' /&gt;
		&lt;div class='rss_chapo'&gt;&lt;p&gt;&lt;font size=&quot;-2&quot;&gt;Isabelle Carlier is currently director of Bandits-Mages, an association engaged in essay films &amp; video art located at the Friche l'Antre-Peaux in Bourges, France. Professionally active as a technician and curator in these fields, she suggests and contributes to setting up experimental stage pieces nationally and internationally, as well as being engaged in researching and exchanging ideas on new forms of creation and autonomous (collective or individual) ways of life. Isabelle has been trained at the &#233;cole nationale sup&#233;rieure d'Art de Bourges, and got a post-diploma under the direction of Paul Devautour, &lt;em&gt;Coll&#232;ge Invisible&lt;/em&gt; (2001). In 2009 she worked on &quot;Future archaeologies&quot; project on the centenary of Pierre Schaeffer with Jocelyne Tournet-Lammer. In 2013 Isabelle met artists Annie Sprinkle and Elizabeth Stephens and is now contributing to their &quot;Ecosex&quot; project. (Translation by Ewen Chardonnet)&lt;/p&gt; &lt;p&gt;Actuellement, Isabelle Carlier est la directrice de &#171; Bandits-Mages &#187;, association consacr&#233;e aux arts visuels et cin&#233;matographiques d'essai situ&#233;e &#224; la Friche l'Antre-Peaux, &#224; Bourges, en France. Professionnellement engag&#233;e comme technicienne et programmatrice dans ces champs d'activit&#233;, elle sugg&#232;re et contribue aussi &#224; l'&#233;dification de plateaux exp&#233;rimentaux nationaux et internationaux, &#224; la diffusion des pratiques de recherche de nouvelles formes de cr&#233;ation et de vie autonomes (individuelles ou collectives), ainsi qu'&#224; l'&#233;change des id&#233;es dans ces domaines. Sa formation proc&#232;de &#224; la fois d'&#233;tudes artistiques &#224; l'&#201;cole nationale sup&#233;rieure d'Art de Bourges, et de son post-dipl&#244;me, &lt;em&gt;Coll&#232;ge Invisible&lt;/em&gt; (2001), sous la direction de Paul Devautour, ainsi que sa participation au projet &quot;Arch&#233;ologies futures&quot; de Jocelyne Tournet-Lammer &#224; l'occasion du centenaire de la naissance de Pierre Schaeffer (2009). En 2013 elle rencontre les artistes Annie Sprinkle et Elizabeth Stephens et depuis contribue &#224; leur projet &quot;Ecosex&quot;.&lt;/font&gt;&lt;/p&gt;&lt;/div&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/p&gt; &lt;dl class='spip_document_778 spip_documents spip_documents_center'&gt;
&lt;dt&gt;&lt;img src='https://www.criticalsecret.net/IMG/jpg/1913249_10202843173354006_1519632628_o.jpg' width='500' height='338' alt='JPEG - 26.7 ko' style='height:338px;width:500px;' /&gt;&lt;/dt&gt;
&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Source &#169; Pac&#244;me Thiellement, &lt;a href=&quot;http://www.zerodeux.fr/specialweb/entretien-avec-pacome-thiellement-2/&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Z&#233;ro-deux&lt;/em&gt;&lt;/a&gt;
&lt;/dd&gt;
&lt;/dl&gt;
&lt;p&gt;Isabel Carlier pr&#233;sente Pac&#244;me Thiellement, curateur invit&#233; pour son projet &#171; &lt;a href=&quot;http://bandits-mages.com/site2015/defaut/2014/autodevoration&quot; target=&quot;_blank&quot;&gt;Th&#233;&#226;tre de l'auto-d&#233;voration&lt;/a&gt; &#187;, Bandits-Mages (2014).&lt;/p&gt; &lt;h3 class=&quot;spip&quot;&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;dl class='spip_document_779 spip_documents spip_documents_center'&gt;
&lt;dt&gt;&lt;img src='https://www.criticalsecret.net/IMG/jpg/10421424_10204930389881418_5998414264078954072_n.jpg' width='500' height='500' alt='JPEG - 103.4 ko' style='height:500px;width:500px;' /&gt;&lt;/dt&gt;
&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Source &#169; &lt;a href=&quot;https://www.facebook.com/photo.php?fbid=10204930389881418&amp;set=a.4415970399325.2181943.1290807776&amp;type=1&amp;theater&quot; target=&quot;_blank&quot;&gt;Isabel Carlier&lt;/a&gt; (&lt;em&gt;Facebook&lt;/em&gt;)
&lt;/dd&gt;
&lt;/dl&gt;
&lt;p&gt;Elle-m&#234;me ou son double, avec Miss Purple.&lt;/p&gt; &lt;h3 class=&quot;spip&quot;&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;dl class='spip_document_782 spip_documents spip_documents_center'&gt;
&lt;dt&gt;&lt;img src='https://www.criticalsecret.net/IMG/jpg/1474607_687009001317535_1373768385_n.jpg' width='500' height='375' alt='JPEG - 44.3 ko' style='height:375px;width:500px;' /&gt;&lt;/dt&gt;
&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Source &#169; &lt;a href=&quot;https://www.facebook.com/photo.php?fbid=687009001317535&amp;set=t.1290807776&amp;type=3&amp;theater&quot; target=&quot;_blank&quot;&gt;Erik Bullot&lt;/a&gt; (&lt;em&gt;Facebook &lt;/em&gt;)
&lt;/dd&gt;
&lt;/dl&gt;
&lt;p&gt;Isabel Carlier et Boris Lehman, photographi&#233;s par Erik Bullot (2013).&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;En logo, La chatte.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;Collaborateurs r&#233;guliers et &#233;quipe de Bandits-Mages :
La galerie du cartable, Emmetrop, Labom&#233;dia, David Legrand, Benjamin Cadon, Nad&#232;ge Piton, Erik Noulette, Sandra Emonet, Marta Jonville, Ewen Chardronnet, &#201;ric Grimault, Fran&#231;oise Houdayer, Olivia Earle et Alison Cherioux.&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Voir en ligne : &lt;a href="http://www.bandits-mages.com/" class="spip_out"&gt;&lt;strong&gt;Bandits-Mages&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;
		&lt;div class='rss_ps'&gt;&lt;p&gt;&lt;font size=&quot;-1&quot;&gt;&lt;/p&gt; &lt;script type=&quot;text/javascript&quot;&gt; //&lt;![CDATA[ (function() { document.write('&lt;fb:like width=&quot;450&quot; layout=&quot;button_count&quot;&gt;&lt;/fb:like&gt;'); var s = document.createElement('SCRIPT'), s1 = document.getElementsByTagName('SCRIPT')[0]; s.type = 'text/javascript'; s.async = true; s.src = 'http://connect.facebook.net/fr_FR/all.js#xfbml=1'; s1.parentNode.insertBefore(s, s1); })(); //]]&gt; &lt;/script&gt;
&lt;p&gt; &lt;a href=&quot;http://twitter.com/share&quot; class=&quot;twitter-share-button&quot;&gt;Tweet&lt;/a&gt;&lt;/p&gt;
&lt;script type=&quot;text/javascript&quot; src=&quot;http://platform.twitter.com/widgets.js&quot;&gt; &lt;/script&gt;
&lt;div id=&quot;plusone-div&quot; class=&quot;plusone&quot;&gt;&lt;/div&gt; &lt;script type=&quot;text/javascript&quot;&gt; gapi.plusone.render('plusone-div',{&quot;size&quot;: &quot;small&quot;, &quot;count&quot;: &quot;true&quot;}); &lt;/script&gt;
&lt;div style=&quot;line-height:12px;&quot;&gt;&lt;font size=&quot;-3&quot;&gt;* Si le tweet qui appara&#238;t dans la fen&#234;tre d'envoi est trop long, (le nombre de signes en exc&#232;s apparaissant dessous, pr&#233;c&#233;d&#233; de : &quot;-&quot;) le raccourcir avant de l'envoyer, en prenant soin de ne pas supprimer le lien m&#234;me de l'article. / * &lt;em&gt;If the content of the tweet is too long (the number of characters in excess is indicated by a negative value), please shorten it and make sure you do not crop the link.&lt;/em&gt;&lt;/font&gt;&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;&lt;br /&gt;&lt;/h3&gt;
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